SALES – Tickets – World Cafe Live Philadelphia – Philadelphia, PA – October 11th, 2016

SALES

SALES

free cake for every creature, Hello Shark

Tue · October 11, 2016

Doors: 7:00 pm / Show: 8:00 pm

World Cafe Live Philadelphia

$15 ADV - $17 DOS + Fees

Mezzanine tickets are subject to a premium service fee that will be applied at checkout.

SALES
SALES
SALES is the collaboration between long time friends Lauren Morgan and Jordan Shih.

The Florida indie pop duo self-released their eponymous six-track debut EP on September 22, 2014 featuring the singles “renee”, “chinese new year”, “vow”, and “getting it on”, and were named “Ones to Watch” by Hype Machine + BBC Radio 6 Music. So far, the songs on SALES EP have over 2.5 million streams on Soundcloud and over 6 million streams on Spotify. They have since headlined tours in the US, Canada, and Europe, selling out concerts in many major cities.

Embracing a DIY ethic, their long-awaited fifteen-track debut album, SALES LP, was self-released on April 20, 2016 along with the singles “big sis”, “jamz”, and “ivy”. The intimate album is an homage to their limitations with time, equipment, money, and space. Working on music tirelessly by moonlight between dead-end jobs, both the LP and EP were recorded from an apartment bedroom studio. The LP was produced, mixed, and mastered by SALES, and created under the duo’s “as is” approach to music — each track explores new territory as they heavily rely on experimentation within their artistic process, whether it is switching lead guitarists, moving over to let someone else hold the mouse, recording vocals through Apple headphones (rather than the stellar SM7B), or inserting a 404 into a ballad.

The distinct sound the duo has created is minimal, yet meticulously crafted, emotive and incisive. SALES LP has caught the attention of Pitchfork, Pigeons & Planes, My Old Kentucky Blog, Crack in the Road, and many others. The addition of the SALES LP to their tiny repertoire is only the beginning of an ever-expanding sound, and a small step in a new approach to music: empowered by the digital listening experience, and completely independent of a record label.
free cake for every creature
Free Cake For Every Creature is Katie Bennett. For "Pretty Good", Katie Bennett spends time in the basement with bandmates/BFFs to turn her bedroom pop songs into scrappy twee ditties.
Hello Shark
Hello Shark
Hello Shark’s Lincoln Halloran has the knack for making the most crushing verses feel heartwarming, simply because his eloquent expression raises the awareness that another human has experienced a similar feeling. September’s Delicate is Hello Shark’s first proper LP, and it promises to introduce Halloran and his introspective musings aptitude to brand new audiences.

Hello Shark began when a teenage Halloran moved from his home of Massachusetts to Vermont in 2006. He quickly recorded an amateur but heartfelt debut called Book Lungs and began touring the Northeast, slowly building a community web that would stretch to include Owen Ashworth (of Casiotone for the Painfully Alone and Advance Base), Rochester’s Attic Abasement, and the members of Brooklyn collective the Epoch.

A major breakthrough for Hello Shark arrived in July 2011 with the album Break Arms, which was released on New Hampshire label Burst & Bloom. Break Arms is a confessional classic that manages to be melancholy, self-critical, and hopelessly sentimental without hardly ever rising above a quiet murmur. Break Arms marks the first time that Halloran’s penchant for gorgeous and sparse compositions were clearly expressed, and a small but passionate fan base took notice. 2013’s HS forgoes the folky fragility of its predecessor for a bolder, more electric sound. Over the 11 tracks, Halloran comes off as considerably more self-assured though he continues to explore a gentle vulnerability.

Delicate is Hello Shark’s first release since moving to Philadelphia in 2014, as well as the first on Orindal. The change in location, in addition to the two year gap between releases, has manifested itself in an exploration of disco tones and pop production. At recent concerts, Halloran has performed several tracks off Delicate alone with a drum machine. The display has a distinct karaoke vibe: equipped with just a microphone, Halloran seems to mentally erase the crowd and sing from a deep and cool sanctuary within; it makes sense that in 2011 Halloran sang “heaven for me is karaoke.” Fortunately, this purity of expression endure on the final Delicate recordings. Pseudo-title track “Jackson Browne” reads as a tipsy reflection over a barebones beat; the chorus “baby I’m delicate” resembles a late-night disclosure shared beneath blankets with the lights out, when hearts can truly be bared. Later on “Drake Night,” which features vocals from Florist’s Emily Sprague, an encounter at a dance club allows Halloran to revisit a relationship. Floating through Delicate are the vocal and bass work of Free Cake for Every Creature’s Katie Bennett. Bennett offers an ethereal presence to many of the tracks, adding a soft counter-texture to Halloran’s serene warble, perhaps most prominently on the yearning “Fishing for Bats.” On the other hand, songs like “Danny” and “New Jersey” summon the twangy tones of early Hello Shark songs. This is in part due to the recording work of Attic Abasement’s Michael Rheinheimer at his Rochester home (Rheinheimer also recorded Break Arms in Savannah, Georgia). Also contributing to Delicate’s recording are Matthew and Keith Hampson of Philadelphia synth-pop outfit Power Animal.

The music that ends up meaning the most is often not discovered until too late. Nick Drake’s Pink Moon did not become a cult favorite until long after its creator’s death, Arthur Russell’s legacy has only become clear since his passing, and so on. Hello Shark’s Delicate recalls both Drake and Russell, but luckily we are able to experience its beauty in the present.
Venue Information:
World Cafe Live Philadelphia
3025 Walnut Street
Philadelphia, PA, 19104
http://philly.worldcafelive.com/