Throughout its career, Nada Surf has only grown more creative and resourceful as time has marched on, each consecutive release notable for the quality of its craft as well as Caws’s ongoing growth as both songwriter and human being. 2018 saw the New York City-based band celebrating the 15th anniversary of their seminal Barsuk Records label debut album, LET GO. In addition, Nada Surf recently marked the 20th anniversary of 1999’s NORTH 6TH STREET, a long-unavailable collection of early demos recorded upon the band’s initial formation, by making it available on digital services for the first time. Meanwhile, Nada Surf is currently working on the follow-up to 2016’s acclaimed eighth studio recording, YOU KNOW WHO YOU ARE, and live album, PEACEFUL GHOSTS (recorded alongside Vienna’s ORF Radio Symphony Orchestra and Potsdam’s renowned Deutsches Filmorchester Babelsberg), due sometime in 2020.
Nada Surf is: Matthew Caws (guitar, vocals), Daniel Lorca (bass) and Ira Elliot (drums).
AARON LEE TASJAN
Most people know Aaron Lee Tasjan as one of the wittiest, most offbeat, brilliant, weed-smokin’ & LSD microdosin’ Americana troubadours writing and singing songs today. And the New York Times, NPR and Rolling Stone will all gladly corroborate. But steel yourselves, folk fans, because he’s about to follow his restless muse straight out from under the weight of everyone’s expectations into the kind of glammy, jingle-jangle power-pop- and- psych-tinged sounds he hasn’t dabbled in since his younger days playing lead guitar for a late-period incarnation of The New York Dolls.
Really, the roots of Tasjan’s new record, Karma for Cheap, stretch even deeper, drinking up the sounds of a Southern California childhood spent listening to The Beatles while riding around with his mom at the wheel of their navy blue Volvo station wagon—back to the very first pre-teen year he picked up a six-string and started figuring out all the pretty little chords in those Lennon-McCartney tunes. Back to the pure, blissful unfiltered innocence of falling in love with music for the first time. But more on that later. First, let’s ponder the brutish realities of the American Swamp.
Aaron Lee Tasjan says he aims to use his music for good, but he’s no protest singer. And Karma for Cheap isn’t some heavy-handed, didactic political record cramming a set of talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph measuring the dark and uncertain vibrations of the time in which it was created. A cracked mirror reflecting back the American zeitgeist in this foul year of Our Lord, Two Thousand and Eighteen.
“When you’re a songwriter,” Tasjan says, you’re dealing in truths and untruths—that’s part of your commerce as a citizen of the world. And anything coming along that’s threatening to blur that line is a threat to your livelihood as a working American.”
Take it from Tasjan and Karma for Cheap, being a songwriter in the post-truth world of Trump’s America ain’t easy. Tasjan valiantly wrestles with this new normal in songs like “Set You Free” (“it’s a smokescreen scene and nobody knows what’s real”—fake news!) and “The Truth Is So Hard to Believe.” What will we do when we can no longer map the line between fact and fiction? When we exist in a world where the truth is unknowable and we’re at the mercy of liars and charlatans? “Hearts in chains and hands are off the wheel,” Tasjan sings in hypnotic staccato, tapping the collective cultural anxiety of all the rattled millions drifting off each night to a new American dream, one in which we’re all in a big red, white and blue camaro fishtailing down some winding tree-lined road in the bible-black dark, white-knuckle-clutching the oh-shit bar, accelerator glued to the floor and not a soul in the driver’s seat.
“The sound of this new record is a little more rough and ready, more raw than anything I’ve done before,” Tasjan says. “Seems like a good time for it. We’re living in a pretty raw feed right now, and a lot of these new songs reflect that. They deal with with being stuck in the deluge of horseshit every day. On social media, you see people suckered into getting all irate over some post that, in the end, turns out to be completely fake. We have to be aware of these mindsets, these traps and emotional pitfalls that send us spinning. Music for me is a comfort thing. And I’m trying to sing about all this to remind myself not to get caught up in the game. There are a lot of people out there carrying the burden of this weird, twisted world we’re living in at the moment on their shoulders. So I tried to write a record that offers some comfort, encouragement and hope to those people, as much as it’s possible to be hopeful right now.”
Karma for Cheap is Tasjan’s third LP and second for his label New West Records, based in his current hometown of Nashville. The record was co-produced by ALT and his friends Jeff Trott (Stevie Nicks, Liz Phair, Meiko, Joshua Radin) and Gregory Lattimer (Albert Hammond Jr.) and features Aaron Lee’s road band—guitarist Brian Wright, bassist Tommy Scifres and drummer Seth Earnest—with whom he’s been touring heavily for the last two years.
While the stylistic shift from Tasjan’s palpably stoned ‘70s-country-channeling 2015 debut, In the Blazes, to his more sophisticated, introspective and lushly produced 2016 follow-up, Silver Tears, was relatively incremental, Karma’s rocked-up Brit-pop-influenced Beatles-Bowie-Badfinger vibes underscore a significant departure. The album boldly reminagines these vintage sounds, pushing the boundary of what can be considered Americana. With Karma, Tasjan establishes himself as an artist who not only evolves over time, but isn’t afraid to risk reinventing himself completely from one record to the next.
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