Andrew Combs – Tickets – World Cafe Live Philadelphia – Upstairs – Philadelphia, PA – April 5th, 2017

Andrew Combs

Andrew Combs

Erin Rae

Wed · April 5, 2017

Doors: 7:00 pm / Show: 8:00 pm

World Cafe Live Philadelphia - Upstairs

$12 + Fees

Andrew Combs
Andrew Combs
“Ever heard of a happy song?”

That question is posed to Andrew Combs in “Rainy Day Song”, the lead track on his acclaimed 2014 album, All These Dreams, during a barstool chat with a sarcastic friend. The singer — offended but gracious — smiles and allows the moment to pass, eschewing confrontation for the sake of a gem he polishes as an afterthought for the listener: “Tab’s on me if you think I’m lying / Laughing ain’t a pleasure till you know about crying.” The moment, full of the understated charm and pulsing honesty that defines his music, is as good a metaphor as any for the songcraft of Andrew Combs.

A Dallas native now living near the same Nashville airport immortalized in the opening sequence of Robert Altman’s country music odyssey, Andrew Combs is a singer, songwriter, guitarist and heir to that 1975 film’s idea of the Nashville troubadour as a kind of musical monk. Here in the twenty-first century whorl of digital narcissism, where identity can feel like a 24/7 social media soft-shoe performance, Combs makes music that does battle with the unsubtle. Like the pioneering color photographer William Eggleston, he sees the everyday and the commonplace as the surest paths to transcendence, and he understands intuitively that what is most obvious is often studded with the sacred. As a songwriter, Combs relies on meditative restraint rather than showy insistence to paint his canvases, a technique commensurate with his idea of nature as an overflowing spiritual wellspring. NPR music critic Ann Powers noted as much in a 2014 review: “His song-pictures are gorgeous, but he recognizes their impermanence as he sings.” This deeply felt sense of ecology, of the transient beauty within nature’s chaotic churn, lies at the heart of Combs’s approach to his art.

After touring behind All These Dreams, a record that earned him international accolades and comparisons to everyone from Leonard Cohen to Mickey Newbury to Harry Nilsson, Combs has returned with a new album that puts down stakes in fresh sonic terrain. Canyons of My Mind, out in March on New West, is — as its title suggests — a landscape where the personal and the pastoral converge. Drawing inspiration from the biographies of literary figures like Charles Wright and Jim Harrison, Combs has created an album that explores the notion of “sustainability” in its many facets — artistic, economic, spiritual, environmental.

“When I set out to record All These Dreams, I had a distinct vision of what I wanted the record to sound like. It was a cocktail of the Roy Orbison, Glen Campbell, Nilsson vibes that you can hear right there on the surface,” Combs says. “Canyons of My Mind is much more personal. It’s a testament to my acceptance of who I am as a man, and who I am becoming.” The record’s sonic adventurousness bears witness to that evolution, as well as to some big changes in his personal life. Between All These Dreams and Canyons, Combs married his longtime girlfriend Kristin, with whom he honeymooned for six weeks in the Minnesota wilderness. “She walks through her life exuding such open-mindedness and kindness,” Combs says. “I can’t help but watch in awe. She lets me be whoever I want to be, and that’s new to me. And quite refreshing, and freeing.”

The quiet struggles and satisfactions of carving out an identity in a world gone wrong are palpable throughout the album. Whether questing through the labyrinth of his own spiritual yearning, (“Heart of Wonder”), recreating a rail rider’s full-body sensation of freedom beneath an azure Montana sky (“Rose Colored Blues”), imagining a near-future dystopia where the very idea of green spaces has been annihilated (“Dirty Rain”), or channeling the desire of a peeping Tom who has fallen in love with his sylvan quarry (“Hazel”), Combs refines the vulnerable vagabond persona he mastered on All These Dreams while pushing it beyond those boundaries, into a more pastoral realm aligned with artists like Nick Drake and Tim Buckley. The idea of the artist’s creative life as an ecosystem — one just as in need of cultivation and care as our own imperiled world — informs much of Canyons. For Combs, the quest to sustain his own capacity to create on a daily basis is what drives him. “I want to create for the rest of my life — writing, singing, painting,” he says. “I also want my life to include a family, a house, and kids. Seeking out other artists who’ve been able to keep the lights on without compromising their art – that keeps me inspired.”
Erin Rae
Erin Rae
Growing up in Jackson, Tennessee, Erin Rae got an early introduction to folk music at home. Her mom and dad were both part-time musicians, playing their own brand of American roots music at churches, county fairs and coffee shops in west Tennessee. Starting as early as five years old, she would join them for a song or two.

Two decades later, she's still spending her time onstage — this time as the main act. As the leader of Erin Rae and the Meanwhiles, she walks the line between old-school folk and modern Americana, creating a sound that nods to her influences while pushing ahead toward something new. It's music that breathes, filled with pedal steel, vocal harmonies, acoustic guitar, bright bursts of melody and plenty of space. It's also music that's taken her halfway across the world, with Erin playing shows everywhere from Nashville (her adopted hometown) to Switzerland.

Erin and company recorded their full-length debut, Soon Enough, during an inspired two days in west Nashville. The group played live, tracking their parts together to capture the spirit of their concerts. There was no studio wizardry, no click track, no digital enhancement. Instead, the album — which Erin co-produced with Michael Rinne, Rodney Crowell's touring bassist — serves as a gorgeous, no-frills Polaroid of Erin Rae and Meanwhiles' sound, a sound they've been sharpening ever since the release of the Crazy Talk EP in 2010

During the five years that separate CrazyTalk from Soon Enough, a lot of life was lived. Erin's songs tackle all of it: the changes, challenges and celebrations that come with a life dedicated to art. There are songs that deal with mental illness. Songs that deal with the importance of staying present. Songs inspired by childhood, adulthood and all the lovers and co-conspirators you meet in between.

The present wouldn't be possible without the past. Released in September 2015, Soon Enough bridges the gap between the two, taking its inspiration from both places. This is new music for old souls.
Venue Information:
World Cafe Live Philadelphia - Upstairs
3025 Walnut Street
Philadelphia, PA, 19104
http://philly.worldcafelive.com/