Teenage Fanclub – Tickets – World Cafe Live Philadelphia – Philadelphia, PA – October 18th, 2016

Teenage Fanclub

Teenage Fanclub

Sam Evian

Tue · October 18, 2016

Doors: 7:00 pm / Show: 8:00 pm

World Cafe Live Philadelphia

$25 + Fees

Mezzanine tickets are subject to a premium service fee that will be applied at checkout.

Teenage Fanclub
Teenage Fanclub
I’m not selling out my imagination, I’m a citizen of the human nation. —“I Was Beautiful When I Was Alive,” Here

Six years used to be a lifetime in rock ’n’ roll. Kids driven by the urgency of youth form bonds, plug in, play gigs, find a label. Acclaim, exhaustion, over and out. Teenage Fanclub’s early years were propelled by that kind of frantic energy (thankfully without the flameout). As outliers of the sound of young Scotland’s second wave, they released five albums in their first six years together. The foundations of their national-treasure status were already laid.

Inevitably, as the years go on, time seems to stretch and things slow down. The tenth Teenage Fanclub LP—Here—arrives six years after the release of 2010’s hugely acclaimed Shadows (described by Uncut as “the sound of a great group ageing gracefully”). One has to ask: what took them so long?

Gerard Love: “I find that as you get older, everything expands. When you start out, the nucleus of the band is so tightly bound, you’re living in each other’s pockets. Later on, you move away from each other and then everything around you—distance and time— just expands. Life gets in the way.”

Raymond McGinley: “It does actually feel like ages between records. Once you’re a certain way in, the way it works in my experience is once you’re taking a long time making it, you’re going to take a long time to get back out again.”

Norman Blake: “Shadows came after a five-year gap; this one is coming after a six-year gap. Getting back together to work, even after all these years, does feel a lot like coming home. Thinking about it now, we really should get together a bit more often.”

Not for one second is Here the sound of procrastination or headscratching. It’s the effortless work of a band entirely confident in their own craft—the consolidation of nearly three decades of peerless songwriting and almost telepathic musicianship. Recorded with the band’s soundman David Henderson alongside regular drummer Francis Macdonald and keyboard player Dave McGowan in three distinctly different environments (initially at Vega in rural Provence, then at Raymond’s home in Glasgow before mixing at Clouds Hill in the industrial heart of Hamburg), it’s a record that embraces maturity and experience and hugs them close.

Raymond: “We’ve been working together for a long time; we’ve probably used most of the studios in the UK over the years. We’re conscious of not repeating experiences that we’ve had before. For us, it’s about trying to get something new out of each place we go. If you’re always trying to make something original, it makes sense to go on a journey—a physical one—to try to make the record feel different.”

As ever, song-wise the Fanclub present a textbook representation of democracy in action, the record offering four each by Blake, Love, and McGinley. From the almighty chime of opener “I’m In Love” (“We will fade into history, I’m in love with you love … And I like your trajectory, I’m in love with you love”) through the ecstatic soul-search of “The First Sight” (“Will I ever get to see the first sight of a heart that’s true?”) and the paean to unerring friendship “With You” (“I will hide with you from sadness, and bad philosophy / I will laugh with you at madness, and learned stupidity”), Here is a collection of twelve songs about the only things that truly matter: life and love.

Raymond: “Lyrically, I think it’s a coincidence that the songs hit on similar themes. We all write individually; there’s no formal discussion about what we’re writing. I always like to think anything’s possible when we make a new record, but because of who we are and how we work, there’s always going to be a strong continuity.”

Norman: “Possibly the album seems like it’s all about life because we’re all surprised that we’re still here. Gerry’s not quite 50; both myself and Raymond are now. You do start to focus on mortality a bit more as you get older.”

Gerard: “I think in your twenties and thirties, you fear middle age; you fear becoming older. Maybe you can fight it and try to stay as an eternal teenager. I like to think that we play to our strengths, to our understanding of life. Folk music, blues—it’s not necessarily made by young people. A lot of music I find myself drawn to is made by people over 40 years old. It might not be on the cover of NME, but it can still deliver a truth.”

As is befitting of a record that took its time to arrive, Here uses reflective space to dazzling effect. “Steady State,” with its gorgeous ebb and flow, has echoes of The Notorious Byrd Brothers’ astral jangle, while “I Was Beautiful When I Was Alive” unexpectedly curves off from dreamlike beginnings into a semi-acoustic/motorik outro, sonically replacing the steady beat of the German autobahn with the vast open skies of the Pacific Coast Highway.

Raymond: “When we’re recording, we operate on a basis of ‘whatever anyone wants to do, that’s what we’re doing.’ We always have, really. With “I Was Beautiful…,” we just went off—the original backing track just kept going for ten, twenty minutes or something. It just felt so good to play.”

Norman: “I love that track. I think we invented our own genre for it—Kraut-folk-rock!”

Here, then, to that place where Teenage Fanclub are still inventing genres and still writing perfect songs about life in that human nation. Hope they get back to us a bit quicker next time.
Sam Evian
Sam Evian
Sam Evian is a new music project from New York City, and the latest signing to Saddle Creek.

“Sleep Easy” is the first track to be shared from Premium, the debut Sam Evian LP, scheduled for release in 2016. The limpid ease of Premium was captured in just a handful of days at Figure 8 studio in Brooklyn, where Sam is a resident engineer and producer.

Watch the music video for “Sleep Easy“. (Video cleared to post and share).

Glowing lead guitar, aching pedal steel, Wurlitzer keys and iconic 20th-century synths coalesce over a sublime, supportive rhythm section, guiding Sam’s melodies through a semi-familiar mist: the post-’60s zeitgeist, a sun-baked cassette of Pet Sounds, the modern struggle for emotional involvement in the internet age.

Get “Sleep Easy”: iTunes, Apple Music, Spotify, Soundcloud

“Sleep Easy” is available on limited edition 7 inch vinyl backed with “You Have To Hydrate” – ready to ship in September and available for pre-order now at the Saddle Creek Online Store.

“Someone once told me that having one penny is 100% better than having no pennies. Making Premium was like picking a lucky penny up off the street. I wrote the songs ten days prior to my first show, though the ideas had been living under the surface for some years. Sometimes a deadline is all you need. The band came together effortlessly and we found ourselves in the studio on borrowed time, smiling a lot. The use of ‘Premium’ is funny to me. Bottled water is funny to me. We’re all hustling the same thing and packaging it in different ways. Stay hydrated,” says Sam.

‘Oh, it was wonder of wonders. And then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. Then flute and oboe bored, like worms of platinum, into the thick thick toffee gold and silver. I was in such bliss, my brothers.” -Anthony Burgess
Venue Information:
World Cafe Live Philadelphia
3025 Walnut Street
Philadelphia, PA, 19104
http://philly.worldcafelive.com/